The second story of the final series sees a second Doctor
Lost story. Like the previous release (which I didn’t like too much), this
story was from Brian Hayles and it was adapted by Catherine Harvey who has
written for the main range so I thought that this would hopefully make up for
the disappointment of the last story. It certainly started off promising with a
rather run opening TARDIS scene which saw Zoe and Jamie playing a game. There was
a nice bit of music which was unexpected but much appreciated. It’s clear from
the first fifteen minutes that this would have lost something had it been made
for TV. The narration and the music that
was created by Toby Hrycek-Robinson, gives the impression that it wouldn’t
have worked as well on TV because the set that I have in my imagination is far grander
than what could have been achieved in 1968/69.
As the story develops I keep thinking about The Celestial
Toymaker and how I just cant shake off that feeling. It shouldn’t be that
surprising really considering that Hayles wrote The Celestial Toymaker. It’s
clearly something that Hayles does well and I appreciate that story more because
of this fact. There are scenes in this that could have instantly come out of
that story and one of them is the scene where Jamie and Zoe are in the hour
glass as it filled with sand as the Doctor and Hecuba eat. The story progresses
quite nicely and it doesn’t seem to overstay its welcome. Whereas in The Dark
Planet I felt that it could have been severely reduced in length, I felt that
this story had a good pace to it and it felt like had been structured in the
right way so that it didn’t feel like it had a rushed ending or was being
padded.
Caroline Faber is very good as Hecuba. Faber has most
recently been in Merlin as Hunith but has a very impressive track record.
Hecuba is instantly unlikeable and I can believe that she’s a top villain just
by that laugh that she uses. Hecuba interaction with the Doctor is quite a well
realised one and it reminds me of the First Doctor and the Celestial Toymaker. I
thought that Jamie was quite different in this story as he started off as a love
struck teenager. That didn’t last for long but it was fun while it lasted. I
thought that Frazer Hines was on his usual fine form and is always worth the
money based purely on his impression of Patrick Troughton. He can always be
relied upon to deliver a good performance and he does so here. Wendy Padbury’s
first appearance for what seems like an age is a good one. She was just as good
as Frazer Hines and reminds us why Zoe is such a good character and why Wendy
Padbury is very good.
The first cliffhanger was rather good and I think that would
have looked quite good on TV. The
opening episode was quite a good one as it was very much of the period and
introduced a good villain whilst utilising Frazer Hines and Wendy Padbury well.
The cliffhanger ended with Faber’s voice and that’s not a bad thing. The second
cliffhanger was the same sort of thing and ended with Faber talking but I
thought that the ending worked quite well. The third cliffhanger was probably
my favourite as it had a companion in peril with Hecuba laughing.
The first episode moved quite quickly whilst the second
seemed to slow down slightly. It picks up again in the third and fourth
episodes but it doesn’t seem to have the punch that the opening episode did. It
never got boring and I enjoyed this release far more than The Dark Planet. I
think that Brian Hayles’ original idea was quite a good one and served as a
perfectly good sequel to The Celestial Toymaker. Catherine Harvey has done a
good job in making this story work not only for audio but for a 21st
Century audience. An enjoyable release.
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